検索結果

locations for basic survey The region is the result of extracting hazardous areas using a numerical elevation model, and a detailed survey will be conducted in the future. Broad-Area Evacuation Site A reasonably open space where you can protect yourself from disasters affecting broad areas such as large earthquakes. Designated Emergency Evacuation Site A place or institution such as a park, a school gymnasium, or a schoolyard where you may temporarily secure your safety. Designated Emergency Evacuation Site and Designated Emergency Evacuation Shelter This is a facility that offers temporary logding in the case that one's loses

Knowledge Spots｜Chibanosuke Guide 5How Did Samurai Fight Back Then? Chibanosuke Guide How did samurai fight in those days? They mainly fought on horseback using bows and arrows. They’d ride toward the enemy, shoot an arrow as they passed by, and then ride off! Since the bow was held in the left hand, they guided their horse to keep the enemy on their left side for a better shot. Wouldn’t it be easier to just aim for the horse from the start? Eek?! Targeting the horse was, in truth, against the rules. So was aiming for the groom

sent to him, didn’t he? After resisting for about three years? That feels kind of sudden… Lord Tadatsune is actually one of our ancestors. Back when Minamoto no Yorinobu was Governor of Hitachi, he defeated Lord Tadatsune in battle. From that time on, Lord Tadatsune served him as his lord. So when Yorinobu came for him again, well... it’s no surprise he surrendered so quickly. Wait... Minamoto? You mean that Minamoto? Indeed. Minamoto no Yorinobu was an ancestor of Lord Yoritomo, who later founded the Kamakura shogunate.

in Kyūshū? Wait, why would a bell from Saga end up in Chiba? During the Nanboku-chō period, the Chiba clan was split—some lived in Kyūshū, others in Shimousa. When the Kyūshū branch attacked the Shimousa branch, they likely brought this bell from Saga and used it as a signal during battle.

bow in the garden. Haven’t we seen a similar picture somewhere in the exhibit? Aye, a similar painting is up on the 4th floor. This here is Lord Masakado—he was Lord Yoshibumi’s nephew. He rose in rebellion against the imperial court in Kyoto and is remembered as a hero of the Bandō region.

An Illustration of Hirakawa Village (Close-up of Houses) It’s so colorful! What do the different colors mean? Each color shows land controlled by a different lord. Even the houses are colored differently. Aye, the houses were divided up by which lord they belonged to as well.

Festival seems really different from today. Aye. Back in the Edo period, two large boats joined the Myōken Festival procession-one in front and one behind the mikoshi-each adorned with magnificent decorative banners. Wow, Those banners are so beautiful! Indeed! They were beautifully embroidered and stretched as long as 15 meters.

the “Fukutoku Enman Sugoroku” game was used in various regions! But the shops shown on it were different in each town? Aye, it seems a publisher in Tokyo sold blank sugoroku boards—with only the pictures—to local newspapers across the country. The newspapers then sold the spaces as ad slots to local shops, matched them to the illustrations, printed the boards, and delivered them with the New Year’s edition. Quite the clever business model, indeed!

the freedom to initiate change. The Chiba City Festival of Arts is the first art festival to be held in Chiba City. There will be 3 programs: CHIBA FOTO A different look at our world through photographic expressions. Experiential/Creation Workshops Workshops where visitors can learn to think and create as they feel. Traditional Culture/New Culture Station A base to take on the challenge of tradition versus innovation. THE CHIBA CITY FESTIVAL OF ARTS 千の葉の芸術祭とは Asako NARAHASHI, Chibaminato, 2019 OUTLINE 写真芸術展　CHIBA FOTO 2021.8.21sat-

tendency to want to start something new. Chiba City should no longer be, “Nothing special” but a place to create “Something new.” Opportunities to learn and change, should exist outside the school, in lots of places. Obviously, you cannot create something from nothing. From the tradition that already exists as part of our lives, we can find brilliant things that can bring on the future. And we can polish these and reshape them into new forms. This is an advantage for us Japanese, who live in a country with a long history. It’s also our responsibility. The present,