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Chibanosuke Guide Did all the schoolchildren who were supposed to evacuate actually get to leave? Nay, the "enko sokai"(縁故疎 開) system ─ evacuating to stay with relatives in the countryside ─ was given priority over organized group evacuation through schools("shudan sokai", 集団 疎開). But around one-third of school children couldn’t evacuate at all, whether due to poor health, lack of resources, or needing to help with family work. It really makes you think… What was the purpose of evacuation of school children?
https://www.city.chiba.jp/other/kyodo_navi/en/05_knowledge/40.html 種別:html サイズ:2.479KB
。 “There’s nothing special about Chiba City.” We hear this a lot. But is this really true? Every town has something unique to appeal. What we need to do, is to give ourselves the chance to recognize what’s attractive. What if we are able to look around through the unique and sensitive perspective of an artist. This will lead us to various discoveries, and things will start looking very different. When we encounter new perspectives and values, we have a tendency to want to start something new. Chiba City should no longer be, “Nothing special” but a place
https://www.city.chiba.jp/other/sennoha-art-fes/about/ 種別:html サイズ:67.051KB
TWO SERIES OF HIS WORKS: GEOGRAPHY IS A SERIES CONSISTING OF SIX PHOTOGRAPHS OF THE SURFACE OF RECLAIMED LAND ON THE TOKYO BAY COAST, TAKEN IN THE WINTER OF 1992 WITH A LARGE FORMAT CAMERA; BOUNDARIES IS A SERIES EXPLORING “BOUNDARIES” AS ITS THEME, THE EXHIBITED PHOTOGRAPHS SHOT IN AND AROUND CHIBA CITY, INCLUDING INAGE. SATO’S WORK IS OF A MYSTERIOUS DEPTH, ACHIEVED BY COMBINING MULTIPLE SPACES, EMERGING FROM CLIFFS THAT ONCE FACED THE SEA, AND AT VARIOUS TIMES WITH THE CHANGING SEASONS. EXHIBITED IN THE HISTORIC SPACE OF SAYADO HALL, THESE SERIES PROVIDE A UNIQUE VIEW OF
https://www.city.chiba.jp/other/sennoha-art-fes/chibafoto/artists/shintaro_sato/ 種別:html サイズ:161.802KB
? クラノーグ/Crannóg Irish National Heritage Park( External link ) Crannógs were artificial island dwellings built on lakes. The name comes from two Irish words- “crann” (tree) and óg (young), meaning “young tree”. They consisted of a house surrounded by wooden pikes in a circle around the house. The dwellings were made of wood and mud, with wattle walls and thatched conical-shaped rooves. Animal hides served as a front door and families lived in a single room. 「クラノーグ」とは? 「クラノーグ」というのは、湖に
https://www.city.chiba.jp/shimin/shimin/kokusai/documents/craggaunowen.html 種別:html サイズ:24.438KB