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Knowledge Spots｜Chibanosuke Guide 37The Same Sugoroku Game All Across Japan!? Chibanosuke Guide They say the same illustration for the “Fukutoku Enman Sugoroku” game was used in various regions! But the shops shown on it were different in each town? Aye, it seems a publisher in Tokyo sold blank sugoroku boards—with only the pictures—to local newspapers across the country. The newspapers then sold the spaces as ad slots to local shops, matched them to the illustrations, printed the boards, and delivered them with the New Year’s edition. Quite the clever business model, indeed!

める新進気鋭の若手アーティスト14組の作品を 茶の湯のプロセスになぞらえて展示します。 METACITY is a research team that looks into possibilities for a city through thought experiments and prototyping. This is their first exhibition. Work by 14 groups of up-and-coming young artists gaining recognition in contemporary art and media art will be introduced utilizing the process of cha-no-yu (tea ceremony) within the setting of a night-time Japanese

school, in lots of places. Obviously, you cannot create something from nothing. From the tradition that already exists as part of our lives, we can find brilliant things that can bring on the future. And we can polish these and reshape them into new forms. This is an advantage for us Japanese, who live in a country with a long history. It’s also our responsibility. The present, the past, and the future. We feel it is our job to provide the opportunity to realize what our city is about, and to take a new perspective. Our aim is

な形で描き出される。 ASAKO NARAHASHI, WHO CAPTURES PEOPLE’S LIVING PLACES FROM THE EXTRAORDINARY VIEWPOINT OF BEING OUT ON THE WATER, EXHIBITS AT YUKARI NO IE INAGE, AN OLD HOUSE AND A REMNANT OF THE OLD DAYS WHEN INAGE PROSPERED AS A RESORT. FOR THIS EXHIBITION, THE ARTIST HAS TAKEN PHOTOGRAPHS OF INAGE, CHIBAMINATO, KEMIGAWA, AND SO ON, AND IT IS INTERESTING TO EXPERIENCE THE REVERSAL OF THE GAZE, AS NARAHASHI BRINGS THE SCENERY VIEWED FROM THE SEA AND THE WATERSIDE INTO YUKARI NO IE INAGE, FROM WHICH VIEWERS USED TO ENJOY THE VIEW

受賞。写真展多数。主な写真集に「三里塚」「村へ」「新世界物語」「フナバシストーリー」「道」「流れ雲旅」など。 KAZUO KITAI, BORN IN CHINA IN 1944, IS BEST KNOWN FOR HIS PROTEST PHOTOGRAPHY OF THE 1960S AND 1970S. HE EARNED THE PRESTIGIOUS IHEI KIMURA MEMORIAL AWARD FOR PHOTOGRAPHY FOR HIS WORK “MURA-E”, A YEAR-LONG DOCUMENTATION OF JAPAN’S RURAL LIFE. IN THE 1980S, HE CONCERNED HIMSELF WITH THE CITIZENS OF OSAKA AND TOKYO (”SHINSEKAI MONOGATARI”, “FUNABASHI MONOGATARI”). RECENT

CREATED A GROUP OF WORKS WHILE FACING THE LOSS OF THE PERSON CLOSEST TO HER, HER GRANDMOTHER, AND THE DEEP SORROW THAT ENSUED, UNTIL HER ACCEPTANCE OF THIS IN A VERY PERSONAL WAY. THESE WORKS ARE EXHIBITED ON THE SECOND FLOOR OF THE FORMER KAMIYA DENBEI INAGE VILLA, ORIGINALLY BUILT FOR PRIVATE USE. からっぽを着る There Once Was 2013 Direct print ©Kumi Yokoyu 真冬のお盆 6年目 The Sixth Winter OBON 2013 Direct print, daylight film ©Kumi Yokoyu KUMI YOKOYU 横湯 久美 1966年千葉県生

MEMORY OF A PLACE THROUGH A SINGLE INDIVIDUAL IN A SINGLE PHOTOGRAPH. THE REAL PLEASURE OF THIS SERIES IS ITS REPRESENTATION OF MULTIPLE TIMES AND EVENTS IN A SINGLE PHOTOGRAPH WITHOUT THE USE OF COMPOSITE TECHNOLOGY SUCH AS CG. THIS TIME, CHIBA CITY, WHERE THE PHOTOGRAPHER WAS BORN AND LIVED FOR 30 YEARS, SETS THE STAGE FOR MANDA-LA. INITIALLY, THE PHOTOGRAPHER HAD PLANNED TO PORTRAY THE DEVELOPMENT AND CURRENT STATE OF CHIBA CITY, PLACING HIS FATHER, MASAO, A FORMER EMPLOYEE OF THE JFE STEEL CORPORATION (FORMERLY KAWASAKI STEEL CO., LTD.), AT ITS CENTER, BUT INCLUDING HIS FATHER'S

生きる人々から時代を表現する。 THIS EXHIBITION CENTERS ON PORTRAITURE SHOT IN THE CITY BY MASUMI KURA, WHOSE WORK OFTEN DEPICTS PEOPLE LIVING IN CITIES THROUGHOUT JAPAN, OR OVERSEAS, AND FROM THE PERSPECTIVE OF VISITORS. CHIBA IS AN UNFAMILIAR PLACE FOR KURA, BUT BY INTERACTING WITH PEOPLE THROUGH HER ART-MAKING, SHE DISCOVERED "A LAID-BACK ATMOSPHERE AND STABILITY AMONG PEOPLE WITH A UNIQUE LOCALITY." HER WORKS TAKEN IN THE CITY VISUALIZE THE EXISTENCE OF THOSE WITH DIVERSE CULTURAL BACKGROUNDS WHO LIVE THERE, AND THE IDENTITY OF THE CITY EMERGES THROUGH

作品も上映される。 NAOKI HONJO HAS TAKEN AERIAL PHOTOGRAPHS OF THE TOWNS THROUGHOUT CHIBA CITY, OF THE INDUSTRIAL AREA, AS WELL AS OF THE CITY’S BASEBALL STADIUM, AND PHOTOGRAPHED THE SCENERY OF THE ATHLETIC MEET HELD AT A PRIMARY SCHOOL IN THE CITY, FOR THE SERIES SMALL GARDEN, WHOSE SUBJECT IS “SCHOOL.” INDEED, SCHOOL IS A SYMBOLIC PLACE IN THIS EXHIBITION: HONJO’S UNUSUAL PORTRAITURE WAS PRODUCED FROM HIS INTERACTIONS WITH STUDENTS ATTENDING A SPECIAL NEEDS HIGH SCHOOL; VIDEO WORKS WERE COMPOSED USING FRAME-BY-FRAME RECORDING AT A PRIMARY SCHOOL. ©︎Naoki Honjo

『Illuminance』『あめつち』『Halo』『as it is』他。 2017年、千葉県に移住。 IN 2001 SHE SIMULTANEOUSLY RELEASED A SERIES OF THREE PHOTOGRAPHIC BOOKS – UTATANE, HANABI, AND HANAKO FROM PUBLISHER LITTLE MORE, AND IN 2002 SHE WAS AWARDED PRESTIGIOUS 27TH KIMURA IHEI AWARD FOR UTATANE AND HANABI. OTHER NOTEWORTHY RINKO KAWAUCHI PUBLICATIONS INCLUDE ILLUMINANCE, AMETSUCHI, HALO AND AS IT IS. SOME OF HER MAJOR SOLO EXHIBITIONS INCLUDE: AILA + CUI CUI + THE EYES, THE EARS AT FOUNDATION CARTIER POUR L’ART CONTEMPORAIN, PARIS, FRANCE (2005); ILLUMINANCE, AMETSUCHI, SEEING SHADOW AT TOKYO METROPOLITAN MUSEUM OF PHOTOGRAPHY (