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attached bombs to balloons about 10 meters in diameter. They released them into the jet stream to send them across the Pacific to attack America. It was created by the Army's Technical Research Institute and launched by the Army Balloon Regiment. They launched about 9,000 of them from three coastal areas—along the Pacific in Ibaraki, Fukushima, and Chiba. Nearly 1,000 made it all the way to the U.S., and some even caused casualties. What a terrifying weapon…

それぞれのテーマにじっくりと取り組んでみましょう。 THE CHIBA SCHOOL FOR ARTS AND MEDIA is a school where creative professionals such as artists and designers are the teachers. A slanted perspective, different from usual, are encouraged to allow students to try new ways of expression using various types of media. This time the School will hold a Continuous Workshop for the first time, as a special project for the CHIBA CITY FESTIVAL OF ARTS. Three-hour workshops will be held five times,

encounter new perspectives and values, we have a tendency to want to start something new. Chiba City should no longer be, “Nothing special” but a place to create “Something new.” Opportunities to learn and change, should exist outside the school, in lots of places. Obviously, you cannot create something from nothing. From the tradition that already exists as part of our lives, we can find brilliant things that can bring on the future. And we can polish these and reshape them into new forms. This is an advantage for us Japanese, who live in a country with a long

然と、人工浜やヨットなどのレジャーも盛んなこの街の、様々な相貌が意外な形で描き出される。 ASAKO NARAHASHI, WHO CAPTURES PEOPLE’S LIVING PLACES FROM THE EXTRAORDINARY VIEWPOINT OF BEING OUT ON THE WATER, EXHIBITS AT YUKARI NO IE INAGE, AN OLD HOUSE AND A REMNANT OF THE OLD DAYS WHEN INAGE PROSPERED AS A RESORT. FOR THIS EXHIBITION, THE ARTIST HAS TAKEN PHOTOGRAPHS OF INAGE, CHIBAMINATO, KEMIGAWA, AND SO ON, AND IT IS INTERESTING

域を舞台に、リサーチや対話を重ねて制作されるその写真は、地域の歴史や社会をも映し出す。 BORN IN 1972 IN CHIBA, JAPAN, IN 1997 GRADUATED FROM MUSASHINO ART UNIVERSITY (B.A IN VISUAL COMMUNICATION DESIGN). THE "MANDA-LA" PROJECT IS SOMETHING USAMI BEGAN AT ART SCHOOL AND WHICH HAS EVOLVED FOR OVER 20 YEARS. EACH INDIVIDUAL PHOTOGRAPH FEATURES A CENTRAL FIGURE, ALL OF WHOM COME FROM DIFFERENT REGIONS AND STANDPOINTS, AND THEN DISTRIBUTED IN THEIR ENVIRONS

史的建造物の中で、今を生きる人々から時代を表現する。 THIS EXHIBITION CENTERS ON PORTRAITURE SHOT IN THE CITY BY MASUMI KURA, WHOSE WORK OFTEN DEPICTS PEOPLE LIVING IN CITIES THROUGHOUT JAPAN, OR OVERSEAS, AND FROM THE PERSPECTIVE OF VISITORS. CHIBA IS AN UNFAMILIAR PLACE FOR KURA, BUT BY INTERACTING WITH PEOPLE THROUGH HER ART-MAKING, SHE DISCOVERED "A LAID-BACK ATMOSPHERE AND STABILITY AMONG PEOPLE WITH A UNIQUE LOCALITY." HER WORKS TAKEN IN THE CITY VISUALIZE THE EXISTENCE OF THOSE WITH DIVERSE CULTURAL BACKGROUNDS WHO

AREA, AS WELL AS OF THE CITY’S BASEBALL STADIUM, AND PHOTOGRAPHED THE SCENERY OF THE ATHLETIC MEET HELD AT A PRIMARY SCHOOL IN THE CITY, FOR THE SERIES SMALL GARDEN, WHOSE SUBJECT IS “SCHOOL.” INDEED, SCHOOL IS A SYMBOLIC PLACE IN THIS EXHIBITION: HONJO’S UNUSUAL PORTRAITURE WAS PRODUCED FROM HIS INTERACTIONS WITH STUDENTS ATTENDING A SPECIAL NEEDS HIGH SCHOOL; VIDEO WORKS WERE COMPOSED USING FRAME-BY-FRAME RECORDING AT A PRIMARY SCHOOL. ©︎Naoki Honjo 協力: 千葉市立高等特別支援学校 ©︎Naoki Honjo 協力: 千葉市

作で自宅の近所に飛来したツバメの子育てを捉えた作品群が展示される。 RINKO KAWAUCHI DOCUMENTS FRAGMENTS OF A NEW LIFE IN CHIBA, ALONG WITH THE GROWTH OF HER CHILD, FROM GIVING BIRTH IN 2016 AND RAISING THE CHILD SINCE. AMONG THESE FRAGMENTS ARE THE BEAUTY OF NATURE AND LIGHT THAT HER CHILD MEETS THROUGH THE CHANGING OF THE FOUR SEASONS, SMALL CREATURES THAT HER CHILD FINDS IN EVERYDAY LIFE, AND THE CHILD’S FIRST ENCOUNTER WITH DEATH—THE BEAUTY OF

つながりが感じられる。 SHIHO YOSHIDA'S INSTALLATION FOCUSES ON HISTORY AND TEMPORAL LAYERS AND INCORPORATES PHOTOGRAPHS TAKEN WITH FILM CAMERAS AND EVEN IMAGES FOUND ON THE INTERNET. PROMPTED BY THE PRESENCE OF KASORI SHELL MIDDEN, THE PHOTOGRAPHER DELVES DEEP INTO JOMON CULTURE, FROM WHICH SHE THEN DRAWS FURTHER INSPIRATION, AND, THROUGH HER WORK, EFFECTIVELY EVOKES HISTORY. ONE CAN FEEL THE CONNECTION BETWEEN THE JOMON PEOPLE WHO ONCE LIVED ON THE SAME LAND AND THOSE OF US WHO LIVE IN THE PRESENT AGE. 空白と考古学, 2021 ©︎Shiho Yoshida SHIHO

ON THE TOKYO BAY COAST, TAKEN IN THE WINTER OF 1992 WITH A LARGE FORMAT CAMERA; BOUNDARIES IS A SERIES EXPLORING “BOUNDARIES” AS ITS THEME, THE EXHIBITED PHOTOGRAPHS SHOT IN AND AROUND CHIBA CITY, INCLUDING INAGE. SATO’S WORK IS OF A MYSTERIOUS DEPTH, ACHIEVED BY COMBINING MULTIPLE SPACES, EMERGING FROM CLIFFS THAT ONCE FACED THE SEA, AND AT VARIOUS TIMES WITH THE CHANGING SEASONS. EXHIBITED IN THE HISTORIC SPACE OF SAYADO HALL, THESE SERIES PROVIDE A UNIQUE VIEW OF THE WORLD. Boundaries ©Shintaro Sato Geography ©Shintaro Sato SHINTARO SATO 佐藤 信太郎 1969年、東京