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ィションの写真が展示される。複製、印刷といった文化の裏舞台が見られることも本展の見どころである。 KAZUO KITAI, WHO LIVES IN CHIBA PREFECTURE, HAS PRODUCED MANY WORKS SET IN THE AREA. THROUGH THESE WORKS, ONE CAN FEEL THE SCENERY OF CHIBA: THE SCENT OF THE SEA AND THE LIVES OF THE LOCAL PEOPLE AT THE TIME, MORE THAN HALF A CENTURY AGO. IN THIS EXHIBITION, KITAI SHOWS THE VIEWER THE PROCESS

EXHIBITION FEATURING WORKS BY KUMI YOKOYU, WHO HAS ARRIVED AT PHOTOGRAPHIC EXPRESSION WITH A PROFOUND KNOWLEDGE OF PAINTING AND SCULPTURE. SHE HAS CREATED A GROUP OF WORKS WHILE FACING THE LOSS OF THE PERSON CLOSEST TO HER, HER GRANDMOTHER, AND THE DEEP SORROW THAT ENSUED, UNTIL HER ACCEPTANCE OF THIS IN A VERY PERSONAL WAY. THESE WORKS ARE EXHIBITED ON THE SECOND FLOOR OF THE FORMER KAMIYA DENBEI INAGE VILLA, ORIGINALLY BUILT FOR PRIVATE USE. からっぽを着る There Once Was 2013 Direct print ©Kumi Yokoyu 真冬のお盆 6年目 The

い描いたイメージを実現しようともがき、本作は生み出された。 MANDA-LA IS THE MOST IMPORTANT WORK OF PHOTOGRAPHER MASAHIRO USAMI, WHO VISUALIZES THE MEMORY OF A PLACE THROUGH A SINGLE INDIVIDUAL IN A SINGLE PHOTOGRAPH. THE REAL PLEASURE OF THIS SERIES IS ITS REPRESENTATION OF MULTIPLE TIMES AND EVENTS IN A SINGLE PHOTOGRAPH WITHOUT THE USE OF COMPOSITE TECHNOLOGY SUCH AS CG. THIS TIME, CHIBA CITY, WHERE THE PHOTOGRAPHER WAS BORN AND LIVED FOR 30 YEARS, SETS THE STAGE FOR MANDA-LA.

ロ写真で表現される。さや堂ホールという歴史的建造物の中で、今を生きる人々から時代を表現する。 THIS EXHIBITION CENTERS ON PORTRAITURE SHOT IN THE CITY BY MASUMI KURA, WHOSE WORK OFTEN DEPICTS PEOPLE LIVING IN CITIES THROUGHOUT JAPAN, OR OVERSEAS, AND FROM THE PERSPECTIVE OF VISITORS. CHIBA IS AN UNFAMILIAR PLACE FOR KURA, BUT BY INTERACTING WITH PEOPLE THROUGH HER ART-MAKING, SHE DISCOVERED "A LAID-BACK ATMOSPHERE AND STABILITY AMONG PEOPLE WITH

た映像作品も上映される。 NAOKI HONJO HAS TAKEN AERIAL PHOTOGRAPHS OF THE TOWNS THROUGHOUT CHIBA CITY, OF THE INDUSTRIAL AREA, AS WELL AS OF THE CITY’S BASEBALL STADIUM, AND PHOTOGRAPHED THE SCENERY OF THE ATHLETIC MEET HELD AT A PRIMARY SCHOOL IN THE CITY, FOR THE SERIES SMALL GARDEN, WHOSE SUBJECT IS “SCHOOL.” INDEED, SCHOOL IS A SYMBOLIC PLACE IN THIS EXHIBITION: HONJO’S UNUSUAL PORTRAITURE WAS PRODUCED FROM HIS INTERACTIONS WITH STUDENTS ATTENDING A SPECIAL NEEDS HIGH SCHOOL; VIDEO WORKS WERE COMPOSED USING FRAME-BY-FRAME RECORDING AT A PRIMARY SCHOOL. ©

応するかのように、新作で自宅の近所に飛来したツバメの子育てを捉えた作品群が展示される。 RINKO KAWAUCHI DOCUMENTS FRAGMENTS OF A NEW LIFE IN CHIBA, ALONG WITH THE GROWTH OF HER CHILD, FROM GIVING BIRTH IN 2016 AND RAISING THE CHILD SINCE. AMONG THESE FRAGMENTS ARE THE BEAUTY OF NATURE AND LIGHT THAT HER CHILD MEETS THROUGH THE CHANGING OF THE FOUR SEASONS, SMALL CREATURES THAT HER CHILD FINDS IN EVERYDAY LIFE, AND THE

BY THE PRESENCE OF KASORI SHELL MIDDEN, THE PHOTOGRAPHER DELVES DEEP INTO JOMON CULTURE, FROM WHICH SHE THEN DRAWS FURTHER INSPIRATION, AND, THROUGH HER WORK, EFFECTIVELY EVOKES HISTORY. ONE CAN FEEL THE CONNECTION BETWEEN THE JOMON PEOPLE WHO ONCE LIVED ON THE SAME LAND AND THOSE OF US WHO LIVE IN THE PRESENT AGE. 空白と考古学, 2021 ©︎Shiho Yoshida SHIHO YOSHIDA 吉田 志穂 1992年生まれ。2014年「第11回写真1_WALL」グランプリ受賞。主な個展に「第11回

トやインタビューの記録を使って描き出す。 HAVING ENCOUNTERED THE PHOTOGRAPHS AND DIARIES OF A WOMAN NAMED SHIZU HANAMITSU WHILE EXPLORING THE PAST OF THE FORMER KAMIYA DENBEI INAGE VILLA, SHINGO KANAGAWA DEPICTS THE EXISTENCE OF "I" IN ITS MULTITUDE, WHICH, WHILE NOT IMMORTALIZED IN HISTORY BOOKS, IS IMMORTALIZED THROUGH PORTRAITURE AND DOCUMENTED INTERVIEWS. 金川晋吾 展覧会「他人の記録」より 金川晋吾 展覧会「他人の記録」より SHINGO KANAGAWA 金川 晋吾

奥行きを持つ作品だ。このふたつがさや堂ホールの歴史ある空間で展示され、独特の世界観をつくり出す。 SHINTARO SATO, WHO LIVES IN CHIBA CITY, EXHIBITS TWO SERIES OF HIS WORKS: GEOGRAPHY IS A SERIES CONSISTING OF SIX PHOTOGRAPHS OF THE SURFACE OF RECLAIMED LAND ON THE TOKYO BAY COAST, TAKEN IN THE WINTER OF 1992 WITH A LARGE FORMAT CAMERA; BOUNDARIES IS A SERIES EXPLORING “BOUNDARIES” AS ITS THEME, THE EXHIBITED PHOTOGRAPHS

ARAI PRESENTS AN ARTWORK CONSISTING OF HUNDREDS OF DAGUERREOTYPES AND RESEMBLING A FOLDING SCREEN, STRETCHING HORIZONTALLY. EACH DAGUERREOTYPE RECORDS A FRAGMENT OF LANDSCAPE, RANDOMLY SELECTED FROM PHOTOGRAPHS TAKEN BY THE ARTIST ALONG THE EASTERN COAST OF JAPAN BETWEEN 2010 AND 2021. TOGETHER, THESE ARE ABSTRACTLY COMPOSED TO FORM A LANDSCAPE IN SERIES. IT IS AN EXPRESSION THAT REMINDS THE VIEWER OF A PICTURE SCROLL IN WHICH COEXIST DIFFERENT TIMES AND SPACES. THE DAGUERREOTYPE PROCESS, PREDATING THE REPRODUCTION TECHNOLOGY OF MODERN PHOTOGRAPHY, FIXES THE IMAGES TO MIRROR-LIKE SURFACES. THE VIEWER IS REFLECTED IN EACH OF THESE, GIVING THE IMPRESSION